|
1993 |
The Springs of Water Were Hallowed |
four part mixed choir and organ |
|
|
|
1993 |
Softly and Tenderly |
for small orchestra |
|
|
|
1993 |
The Palm At the End of the Mind 3 |
for voice and piano |
|
|
|
1993 |
The Seven Last Words of Jesus Christ On the Cross |
four part mixed choir, soloists, and organ |
|
|
|
1993 |
All Pieces Have Their End |
for viola alone |
|
|
|
1993 |
The Palm at the End of the Mind 2 |
for four part mixed choir and piano |
|
|
|
1993 |
The Palm at the End of the Mind |
for men's choir and piano |
|
|
|
1993 |
The Mockingbird 2 |
for violin, 'cello, and piano |
|
|
|
1992 |
Preces and Responses |
for four part mixed choir |
|
|
|
1992 |
Dwelling in Buelah Land |
for small orchestra ( piccolo, flute, oboe, 2 clarinets, 2 bassoons, 2 horns, trumpet, strings) |
|
|
|
1992 |
Soon |
for voice and piano |
|
|
|
1992 |
Leap Child |
|
|
|
|
1992 |
Feldeinsamkeit |
for two violins, viola, and two 'cellos |
|
|
|
1992 |
Happy in the Same Way |
for violin and 'cello |
|
|
|
1992 |
The Cup of Blessing |
for four part mixed choir |
|
|
|
1992 |
No Bird |
for four part mixed choir |
|
|
|
1992 |
Across |
for voice and piano |
|
|
|
1992 |
Prayer To Be Recited After a Jacques Derida Lecture |
for tenor and piano |
|
|
|
1992 |
Kings and Shepherds |
for two sopranos, tenor, oboe, horn, violin, and organ |
|
|
|
1992 |
Love's Delicious Fire |
for four part mixed choir and organ |
|
|
|
1992 |
Ordinary Heartaches |
for tenor and piano |
|
|
|
1992 |
Trip to Bountiful |
for tenor and piano |
|
|
|
1992 |
Cherries |
for tenor and piano |
|
|
|
1992 |
A Man Lost by a River |
for tenor and piano |
|
|
|
1992 |
Snowflakes on the Pane |
for two part treble choir and harp |
|
|
|
1992 |
House of Winter |
for two part treble choir and organ |
|
|
|
1992 |
The Disappointments of Childhood |
for tenor and piano |
|
|
|
1991 |
Renewed Day by Day |
for voice and piano |
|
|
|
1991 |
Colors for Anna |
a stage work for baritone, with flute, clarinet, horn, percussion, piano, violin, viola, and 'cello |
|
|
|
1990 |
Autumn |
for voice and piano |
|
|
|
1990 |
Everness |
for voice and piano |
|
|
|
1990 |
Weather |
for mezzo-soprano, two clarinets, viola, and piano |
|
|
|
1990 |
Never Again Would Birds' Song Be the Same |
for flute alone |
|
|
|
1990 |
Infant Holy, Infant Lowly |
folksong arrangement for three part treble choir |
|
|
|
1990 |
The Day's Mail |
for flute, viola, and piano |
|
|
|
1989 |
The Holly and the Ivy |
folksong Arrangment for mixed choir |
|
|
|
1989 |
Blue Wine |
for narrator and piano |
|
|
|
1989 |
Portraits and Prayers |
for two violins |
|
|
|
1989 |
The Edinburgh Post Card Epic |
for clarinet and viola |
|
|
|
1989 |
the meeting |
for unaccompanied mixed choir |
|
|
|
1988 |
My Sex Experience With Randall Jarrell |
for voice and piano |
|
|
|
1988 |
Evening News |
for voice and piano |
|
|
|
1988 |
At Undresseing in the Evening |
for mixed choir and organ |
|
|
|
1988 |
A Walk in the Woods |
for voice and piano |
|
|
|
1988 |
Nativitie |
for unaccompanied mixed choir |
|
|
|
1988 |
Time to Plant Tears |
for viola and 'cello |
|
|
|
1988 |
Cythera |
for voice and piano |
|
|
|
1988 |
A Night-Time River Road |
for voice and piano |
|
|
|
1988 |
In Eden |
for voice and piano |
|
|
|
1988 |
On Haystack Mountain |
for voice and piano |
|
|
|
1988 |
The Ghosts of James and Peirce in Harvard Yard |
for mezzo-soprano, clarinet, viola, and piano |
|
|
|
1988 |
On A Sunday Morning |
for voice and piano |
|
|
|
1987 |
Harvest Hymn |
for unison chorus and organ |
|
|
|
1987 |
Church Music |
for unaccompanied mixed choir |
|
|
|
1987 |
The Choirmaster's Burial |
for unaccompanied mixed choir |
|
|
|
1987 |
Inglorious Fourth |
for mezzo-soprano and orchestra (piccolo, flute, oboe, English horn, two clarinets, two bassoons, two horns, trumpet, percussion (2), harp, and strings) |
|
|
|
1987 |
Inglorious Fourth |
for mezzo-soprano and orchestra (piccolo, flute, oboe, English horn, two clarinets, two bassoons, two horns, trumpet, percussion (2), harp, and strings) |
|
|
|
1987 |
I Have Found My Music |
for soprano, alto, (or treble choir), and organ |
|
|
|
1986 |
Trying to Figure Out |
for unaccompanied men's chorus |
|
|
|
1986 |
The Waking |
for voice and piano |
|
|
|
1986 |
The Fountain |
for four part mixed choir, unaccompanied |
|
|
|
1986 |
The Oxen |
for men's chorus and orchestra (piccolo, flute, two oboes, bassoon, two horns, harp, and strings) |
|
|
|
1986 |
The Swan |
for voice and piano |
|
|
|
1986 |
Against Disaster |
for voice and piano |
|
|
|
1986 |
Long Live the Weeds |
for voice and piano |
|
|
|
1986 |
The Bat |
for voice and piano |
|
|
|
1986 |
Lonely |
for voice and piano |
|
|
|
1986 |
Jesus Loves Me |
for small orchestra (piccolo, flute, oboe, two clarinets, two bassoons, trumpet, and strings) |
|
|
|
1986 |
Open House |
for voice and piano |
|
|
|
1986 |
The Oxen |
for men's chorus and organ |
|
|
|
1986 |
The Oxen |
for men's chorus and piano four hands |
|
|
|
1986 |
The Little Frame |
for tenor and English horn |
|
|
|
1985 |
Jesus Loves Me 2 |
for organ |
|
|
|
1985 |
Where I Say Hours |
for clarinet and string quartet |
|
|
|
1985 |
Roses for Thornes |
for tenor with English horn and viola |
|
|
|
1985 |
Prelude: Imaginary Gardens |
for piano |
|
|
|
1984 |
A Summer Night (A Certain World, Book I) |
for baritone and orchestra (flute, oboe, clarinet, bass clarinet, bassoon |
|
|
|
1984 |
Half of Life |
for bass clarinet, 'cello, and piano |
|
|
|
1984 |
December, 1903 |
for voice and piano |
|
|
|
1984 |
At Last Going |
for four part mixed choir, unaccompanied |
|
|
|
1984 |
A Variation on 'To Say To Go To Sleep' |
for voice and guitar |
|
|
|
1984 |
Paradoxes and Oxymorons |
for voice and piano |
|
|
|
1984 |
Truth and Error, Fire and Snow |
for voice and piano |
|
|
|
1984 |
A Summer Night (A Certain World, Book I) |
for baritone and orchestra (flute, oboe, clarinet, bass clarinet, bassoon |
|
|
|
1984 |
Conversation |
for voice and piano |
|
|
|
1984 |
The Unfamiliar Name |
for violin and piano |
|
|
|
1984 |
Stop the Light's Harsh Failing |
for voice and piano |
|
|
|
1984 |
The Repetitive Heart |
for viola alone or violin alone |
|
|
|
1983 |
Warble |
for flute, Eb clarinet, English horn, bassoon, trumpet, trombone, marimba, harp, two violas, 'cello, and contrabass |
|
|
|
1983 |
Mass (Wondrous Love) |
for four part unaccompanied mixed chorus |
|
|
|
1983 |
July has ended... |
for voice and piano |
|
|
|
1983 |
Days and Nights Pass |
for mezzo-soprano and clarinet |
|
|
|
1983 |
this round o of faithfulness or in sickness and in health |
for two clarinets |
|
|
|
1983 |
A Part |
for two part treble chorus or soli, unaccompanied |
|
|
|
1983 |
The Proof |
for four part unaccompanied chorus |
|
|
|
1983 |
The Fear of Love |
|
|
|
|
1982 |
Three Portraits by Virgil Thomson--orchestraiona |
for full orchestra |
|
|
|
1982 |
The Boatswain and the Mate |
for voice with violin, clarinet, and piano |
|
|
|
1982 |
Chorale |
for unaccompanied mixed chorus |
|
|
|
1982 |
We're All Mad Here |
for voice and piano |
|
|
|
1982 |
A True Account of Talking to the Sun at Fire Island |
for baritone with three clarinets, marimba, violin, viola, and 'cello |
|
|
|
1982 |
The Owl and the Pussycat 2 |
for soprano with flute, clarinet, violin, 'cello, guitar, and marimba |
|
|
|
1982 |
The Owl and the Pussycat |
for soprano and piano |
|
|
|
1982 |
Lana Turner Has Collapsed |
for men's chorus and piano |
|
|
|
1981 |
This Is Just to Say |
for voice and piano |
|
|
|
1981 |
The Bricks |
for voice and piano |
|
|
|
1981 |
Hannah |
for voice and piano |
|
|
|
1981 |
Monotone |
for voice and piano |
|
|
|
1981 |
Fish In the Unruffled Lakes |
for voice and piano |
|
|
|
1981 |
Insomnia |
for voice and guitar |
|
|
|
1981 |
A Little Cowboy Music Too |
for flute, clarinet, violin, 'cello, marimba, and piano |
|
|
|
1981 |
The Shape of Time |
for voice and piano |
|
|
|
1981 |
Like an Ever Rolling Stream |
for two clarinets and piano |
|
|
|
1980 |
The Bluejay's Lullaby |
for soprano, violin, clarinet, and contrabass (or 'cello) |
|
|
|
1980 |
Prospero to Ariel |
|
|
|
|
1980 |
Such Beauty As Hurts to Behold |
for voice and piano |
|
|
|
1980 |
A Little Cowboy Music |
for violin, clarinet, contrabass, and piano |
|
|
|
1980 |
Though the Night Is Gone (A Certain World, Book II) |
for baritone and piano |
|
|
|
1979 |
when god lets my body be |
for unaccompanied mixed chorus |
|
|
|
1978 |
Hymn |
for soprano and tenor with flute, clarinet, oboe, trombone, viola, 'cello, and contrabass |
|
|
|
1978 |
Take, O Take Those Lips Away |
|
|
|
|
1978 |
J. S. Bach--Prelude and Fugue in D major (W.T.C. II) orchestration |
for three clarinets, marimba, violin, viola, 'cello |
|
|
|
1978 |
Alex (berceuse du chat) |
for violin, clarinet, and piano |
|
|
|
1978 |
Bird Song |
for soprano with violin, clarinet, and contrabass (or 'cello) |
|
|
|
1977 |
Tell Me Where Is Fancie Bred |
for voice and harp |
|
|
|
1977 |
The Wuggly Ump |
for treble chorus with recorders, percussion, and piano |
|
|
|
1977 |
Joseph's Suspicion |
for baritone with English horn, bass clarinet, trombone, viola, 'cello, and contrabass |
|
|
|
1977 |
The Lesson |
for mezzo-soprano, three clarinets, piano, and crotales |
|
|
|
1977 |
(with Lullaby and Take O Take Those Lips Away) Lullaby |
for voice and harp |
|
|
|
1976 |
Housekeeping Song |
for voice and guitar |
|
|
|
1976 |
Carol |
for tenor with alto flute, bass clarinet, viola, 'cello, and contrabass |
|
|
|
1975 |
Nowe Welcom, Somor |
for countertenor with flute, oboe, violin, 'cello, and harpsichord |
|
|
|
1975 |
The Breaking |
for countertenor, tenor, and baritone, with oboe, trombone, viola, 'cello, and organ |
|
|
|
1975 |
The Shepherds |
for soprano with piccolo, bass clarinet, trombone, viola, 'cello, and contrabass |
|
|
|
1975 |
Thank God It's Friday |
for children's chorus, recorders, percussion, and piano |
|
|
|
1975 |
A Christmas Prayer: hommage to T. Tertius Nobel |
for unaccompanied mixed chorus |
|
|
|
1974 |
Mary Sings |
for alto with alto flute, English horn, bass clarinet, viola, 'cello, and contrabass |
|
|
|
1974 |
The Second, Part III (a hum..) |
for baritone with alto flute, clarinet, English horn, trombone, percussion (2), harp, viola, and contrabass |
|
|
|
1974 |
The Shepherd |
for unison children's chorus, recorders, percussion, and piano |
|
|
|
1974 |
Taller To-day |
for soprano with flute, oboe, clarinet, bass clarinet, harp, vibraphone, |
|
|
|
1974 |
Adam Lay Ybounden |
for children's chorus, recorders, and piano |
|
|
|
1973 |
The Bell Doth Tolle |
for bass, with oboe, trombone, viola, and vibraphone |
|
|
|
1973 |
Agreeably of Love |
for soprano and piano |
|
|
|
1973 |
The Foil |
for unaccompanied four part mixed chorus |
|
|
|
1973 |
Sweet Was the Song |
for soprano and alto with bass clarinet, trombone, viola, 'cello, and contrabass |
|
|
|
1973 |
My World and Welcome To It--Book I |
for contrabass alone |
|
|
|
1973 |
Nuns Fret Not |
for soprano with flute, clarinet, trumpet, harp, vibraphone, viola, and contrabass |
|
|
|
1971 |
Music for a While |
for flute, oboe, and piano |
|
|
