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2019 |
This is a demo title |
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2019 |
This is the title |
Kazoo |
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2019 |
And the Stars Go On Burning Overhead |
clarinet, violin, piano left hand |
And the Stars |
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2015 |
Vanishing Point (2015) (Lawrence Raab) |
for chorus and piano |
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2015 |
Vanishing Point (2015) (Lawrence Raab) |
for voice and piano |
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2015 |
I Saw In Louisiana a Live Oak Growing (2015) (Walt Whitman) |
for bass and piano |
Test |
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2015 |
The Tune Without the Words (2015) |
for ‘cello solo |
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2014 |
This Is the Garden (2014) (e. e. cummings) |
for chorus and piano |
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2014 |
Christmas Fanfare (2014) (W. H. Auden) |
for chorus, organ, and brass quintet |
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2014 |
This Is the Garden (2014) (e. e. cummings) |
for voice and piano |
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2013 |
Blest Be the Tie that Binds (2013) hymn tune arranged for keyboard |
arranged for keyboard |
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2013 |
Misty Morning (2013) |
for two violins |
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2013 |
Complicated Grief (2013-2014) |
for viola |
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2013 |
To the Harbormaster (2013) (Frank O’Hara) |
for chorus and orchestra |
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2013 |
To the Harbormaster (2013) (Frank O’Hara) |
for voice and piano |
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2013 |
Permanently (2013) (Kenneth Koch) |
for voice and piano |
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2013 |
When Near (2013) |
for piano |
Video |
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2013 |
God Moves In a Mysterious Way (2013) (William Cowper) |
for chorus and organ |
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2013 |
Homeless Heart (2013) (John Ashbery) |
for voice and piano |
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2013 |
Hopping (2013) |
for two violins |
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2013 |
A Step From Them (2013) (Frank O’Hara) |
for voice and piano |
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2013 |
An Old Fashioned Song (2013) (John Hollander) |
for voice and piano |
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2012 |
The Lost Feed (2012) (Kenneth Koch) |
for chorus, clarinet, trombone, piano, harp, violin, viola, ‘cello, and contrabass |
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2012 |
The Lost Feed (2012) (Kenneth Koch) |
for chorus and piano |
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2012 |
The Lost Feed (2012) (Kenneth Koch) |
for voice and piano |
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2011 |
A Downward Look (2011) (James Merrill) |
for chorus and piano |
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2011 |
A Downward Look (2011) (James Merrill) |
for voice and piano |
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2010 |
Lullaby (2010) |
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2010 |
Dance of the Half Truths and Antinomies (2010) |
for piano |
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2010 |
Polar Bear Songs (2010) (William Jay Smith, Jack Prelutsky, Leland B. Jacobs) |
for Mezzo-soprano, harp, celesta, and strings |
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2010 |
The Bees (2010) (Virgil, translated by David Ferry) |
for voice and piano |
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2010 |
The Bees (2010) (Virgil, translated by David Ferry) for chorus and piano |
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2010 |
The Chipmunk’s Day (2010) |
for violin, ‘cello, and piano |
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2009 |
On the Road Home (2009) (Wallace Stevens) |
for chorus and piano |
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2009 |
On the Road Home (2009) (Wallace Stevens) |
for voice and piano |
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2008 |
Detour (2008) |
for flute, oboe, clarinet, bassoon, horn, piano, two violins, viola, and ‘cello |
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2008 |
A Black Matter (2008) for violin alone |
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2008 |
A Frog Went A Courtin’ (2008) |
for violin, viola, ‘cello, and piano |
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2008 |
Let Us Go Now (2008) (biblical) |
for four part chorus |
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2008 |
Lucky This Point (A Summer Night) (2008) |
for small orchestra |
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2007 |
Dust Thou Art (2007) |
for clavichord and toy piano |
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2007 |
Friendly Fire (2007-2012) |
for tenor, flute, clarinet, horn, flugel horn, piano, percussion, violin, viola, ‘cello, and contrabass |
Listen |
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2007 |
A Pasture Poem (2007) (Richard Wilbur) for four part chorus and piano |
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2007 |
A Pasture Poem (2007) (Richard Wilbur) for voice and piano |
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2006 |
A Rainy Day |
for two violins |
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2006 |
The Man Who Needed No One |
for baritone and string quartet |
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2006 |
Only the Lemon of Desire (2006) (Anthony Hawley) for soprano, violin, and piano |
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2006 |
Songs to Harvest (2006) (David Ferry) for soprano and piano |
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2006 |
Green (2006) (Richard Wilbur) |
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2006 |
Green (2006) (Richard Wilbur) for voice and piano |
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2006 |
Songs to Harvest |
for soprano and piano |
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2006 |
Green |
for voice and piano |
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2006 |
A Rainy Day (2006) |
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2006 |
Just As My Fingers On These Keys (2006) |
piano |
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2006 |
The Man Who Needed No One (2006) (Michael Blumenthal) for baritone and string quartet |
for baritone and string quartet |
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2005 |
The Angel That Troubled the Waters |
for countertenor or alto, tenor, and baritone with piano |
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2005 |
Promised Land |
for piano |
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2005 |
Another Faith Based Initiative |
for bass clarinet and 'cello |
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2005 |
Our Revels Now Are Ended 2 |
for voice and piano |
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2005 |
On Prayer and Praying |
for voice and keyboard |
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2005 |
Prayer of Humble Access |
for four part mixed choir |
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2005 |
Full Tide |
for five part mixed choir and organ |
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2005 |
Dominus Tecum |
for mixed choir, unaccompanied |
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2005 |
Our Revels Now Are Ended |
for four part mixed choir and piano |
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2004 |
Stanza XV |
for mixed choir and piano |
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2004 |
Stanza XV 2 |
for voice and piano |
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2004 |
The Harvest According |
for mixed choir and string orchestra |
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2004 |
The Harvest According |
for mixed choir and string orchestra |
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2004 |
Faith-Based Initiative |
for string quartet |
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2003 |
Stanza XVI |
for mixed choir and piano |
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2003 |
Thoughts on the War |
for voice and piano |
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2003 |
Stanza XVI |
for voice and piano |
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2003 |
Annunciation to Mary |
for soprano and string orchestra |
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2003 |
Annunciation to Mary |
for soprano and string orchestra |
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2003 |
Annunciation |
for soprano and string orchestra |
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2003 |
Annunciation |
for soprano and string orchestra |
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2002 |
The Annunciation |
for mixed choir |
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2002 |
Stanza XXXVIII |
for mixed choir and piano |
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2002 |
Stanza XXXVIII 2 |
for voice and piano |
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2002 |
Thou Mayde and Mooder |
for soprano and string orchestra |
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2002 |
Thou Mayde and Mooder |
for soprano and string orchestra |
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2002 |
The Birth of Mary |
for soprano and string orchestra |
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2002 |
The Birth of Mary |
for soprano and string orchestra |
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2001 |
For My Brother: Reported Missing In Action, 1943 |
for voice and piano |
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2001 |
Another Weeping Woman |
for mixed chorus and piano |
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2001 |
When Threshing Time Ends |
for voice and harp |
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2001 |
Another Weeping Woman 2 |
for voice and piano |
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2001 |
Reading in a Boat |
for voice and harp |
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2000 |
The Birds |
for two part treble chorus (or soloists) and organ |
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2000 |
In the Sixth Month |
for soprano and string orchestra |
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2000 |
Toward a Supreme Fiction 2 |
voice and piano |
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2000 |
In the Sixth Month |
for soprano and string orchestra |
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2000 |
i thank you, god |
for eight part mixed chorus |
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2000 |
Toward a Supreme Fiction |
mixed chorus and piano |
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2000 |
String |
flute, violin, and 'cello |
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2000 |
Never Give All The Heart |
unaccompanied mixed chorus |
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1999 |
The Snowman |
mixed choir and piano |
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1999 |
A Modern Poet |
baritone and string quartet |
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1999 |
The Heart of Quang Duc |
baritone and string quartet |
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1999 |
He Wishes For the Cloths of Heaven |
mixed choir |
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1999 |
Mama Stanberg's Cranberry Relish |
voice and piano |
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1999 |
He's Goin' Away |
cello and piano |
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1999 |
The Snowman 2 |
voice and piano |
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1998 |
Death of a Romantic |
baritone and string quartet |
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1998 |
A Clear Day and No Memories |
mixed choir and piano |
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1998 |
A Clear Day and No Memories 2 |
voice and piano |
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1998 |
Waly, Waly |
mixed choir |
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1998 |
The Word Love |
baritone and string quartet |
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1998 |
Herz, Schmerz |
oboe, viola, and piano |
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1998 |
The Tip of the Iceberg |
baritone and string quartet |
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1998 |
Etymology Lesson on the Road To Rome |
baritone and string quartet |
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1997 |
Lachrimae Verae |
mixed choir |
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1997 |
Swindles and Schemes |
solo viola |
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1997 |
O Mistress Mine |
mixed choir |
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1997 |
Even So, Even We |
alto, viola, and piano |
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1996 |
What More Do I Need |
soprano and orchestra (flute, two clarinets, saxophone, bassoon, horn, trumpet, and strings) |
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1996 |
Too Short To Be Use |
flute, violin, and 'cello or two violins and 'cello |
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1996 |
The Bird of Night |
for unaccompanied mixed choir |
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1996 |
TNG: Starfleet Academy |
clarinet, violin, 'cello, percussion, and piano four hands |
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1996 |
Show Me |
soprano and orchestra (flute, two clarinets, saxophone, bassoon, horn, trumpet, and strings) |
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1996 |
Jesu |
mixed choir |
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1996 |
I Can Cook Too |
soprano and orchestra (flute, two clarinets, saxophone, bassoon, horn, trumpet, and strings) |
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1996 |
I Can Cook Too |
soprano and orchestra (flute, two clarinets, saxophone, bassoon, horn, trumpet, and strings) |
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1996 |
Who Could Ask for Anything |
soprano and orchestra (flute, two clarinets, saxophone, bassoon, horn, trumpet, and strings) |
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1996 |
Shennandoah |
for unaccompanied mixed choir |
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1996 |
Envoy (for Hanna and Woody) |
for chorus and orchestra (two oboes, two horns, piano, and strings) |
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1996 |
What More Do I Need |
soprano and orchestra (flute, two clarinets, saxophone, bassoon, horn, trumpet, and strings) |
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1996 |
Somewhere to Get To |
mezzo-soprano, flute (piccolo), clarinet, violin, 'cello, and piano |
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1996 |
Someone To Watch Over Me |
soprano and orchestra (flute, two clarinets, bassoon, and strings) |
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1996 |
Show Me |
soprano and orchestra (flute, two clarinets, saxophone, bassoon, horn, trumpet, and strings) |
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1996 |
Who Could Ask for Anything |
soprano and orchestra (flute, two clarinets, saxophone, bassoon, horn, trumpet, and strings) |
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1996 |
Someone To Watch Over Me |
soprano and orchestra (flute, two clarinets, bassoon, and strings) |
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1995 |
O Soft and Sunny Airs! |
for small orchestra (piccolo, flute, two oboes, two clarinets, two bassoons, two horns, trumpet, percussion, harp, and strings) |
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1995 |
The Mockingbird |
for unaccompanied mixed choir |
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1994 |
Solilloquy |
for solo 'cello |
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1994 |
The Ballad of the Children of the Czar |
for mezzo-soprano, clarinet, viola, and piano |
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1994 |
Aaron |
for four-part mixed choir, organ, and glockenspiel |
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1994 |
Sleeping In Air |
for small orchestra (piccolo, flute, two oboes, two basoons, two horns, trumpet, harp, percussion, and strings) |
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1994 |
Cold Fusion |
for string quartet and two string orchestras |
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1994 |
The Gate of Heaven |
for three part mixed choir |
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1994 |
On Our Lord's Baptism |
for four part mixed choir |
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1994 |
Lorica |
for voice and piano |
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1994 |
Sure of You |
for piano |
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1994 |
The Beautiful American Word Sure |
for mezzo-soprano, clarinet, viola, and piano |
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1993 |
Softly and Tenderly |
for small orchestra |
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1993 |
The Palm At the End of the Mind 3 |
for voice and piano |
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1993 |
The Seven Last Words of Jesus Christ On the Cross |
four part mixed choir, soloists, and organ |
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1993 |
All Pieces Have Their End |
for viola alone |
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1993 |
The Palm at the End of the Mind 2 |
for four part mixed choir and piano |
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1993 |
The Palm at the End of the Mind |
for men's choir and piano |
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